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dc.contributor.authorPasin, E. Gulay E. R.
dc.date.accessioned2021-03-03T13:59:00Z
dc.date.available2021-03-03T13:59:00Z
dc.date.issued2016
dc.identifier.citationPasin E. G. E. R. , "A RESTRICTED LOOK AT PSYCHO: ON GAZE AND VOICE OVER", ISTANBUL UNIVERSITESI ILETISIM FAKULTESI DERGISI, sa.51, ss.49-71, 2016
dc.identifier.othervv_1032021
dc.identifier.otherav_3720a7c3-59dc-49b7-8a24-c30ebe2c7cf6
dc.identifier.urihttp://hdl.handle.net/20.500.12627/41196
dc.identifier.urihttps://doi.org/10.17064/iuifd.289364
dc.description.abstractPsycho (Alfred Hitchcock, 1960) is of prime importance for the horror genre since Hitchcock places horror in settings of everyday life. It is also important for its narrative structure along with the editing of the shower scene, God's eye view shots of staircase scenes that limit the view of the audience, the use of voice over for making meaning, altering the identification of the viewer, the psychological aspect and score. The movie has had an unignorable effect on cinema with its sequels, prequel, a documentary about the movie, an avant-garde movie which is a replica, an appropriation of Psycho presented as an art installation, a semibiographic movie on the process of producing the movie, a murder scene that became a cliche as well as borrowings or references in other movies and countless books, reviews and articles about it.
dc.language.isoeng
dc.subjectSosyal ve Beşeri Bilimler
dc.subjectSosyoloji
dc.subjectKitle İletişimi ve Araçları
dc.subjectSosyal Bilimler (SOC)
dc.subjectSosyal Bilimler Genel
dc.subjectİLETİŞİM
dc.titleA RESTRICTED LOOK AT PSYCHO: ON GAZE AND VOICE OVER
dc.typeMakale
dc.relation.journalISTANBUL UNIVERSITESI ILETISIM FAKULTESI DERGISI
dc.contributor.departmentİstanbul Üniversitesi , ,
dc.identifier.issue51
dc.identifier.startpage49
dc.identifier.endpage71
dc.contributor.firstauthorID227512


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