dc.contributor.author | Kaya, Metin | |
dc.date.accessioned | 2021-12-10T11:56:08Z | |
dc.date.available | 2021-12-10T11:56:08Z | |
dc.identifier.citation | Kaya M., "Motifs with Sacred and Apotropaic Meanings on the Wall Paintings of Cappadocia Region", ART-SANAT, cilt.16, ss.409-435, 2021 | |
dc.identifier.other | av_9dc74e98-d2aa-4822-ab05-8ad854afc28e | |
dc.identifier.other | vv_1032021 | |
dc.identifier.uri | http://hdl.handle.net/20.500.12627/172914 | |
dc.identifier.uri | https://doi.org/10.26650/artsanat.2021.16.0014 | |
dc.description.abstract | In early Christian society, the continuation of pagan beliefs and apotropaic elements derived from the Roman culture can be observed in the reflections of artistic production. Apotropaic themes bearing the traces of paganism, such as the Medusa head and the mask were used continuously for decorative purposes by Christian artists. These motifs also show apotropaic features aligning with the Christian faith in the decoration of the new Byzantine art. | |
dc.language.iso | eng | |
dc.subject | Arts and Humanities (miscellaneous) | |
dc.subject | Conservation | |
dc.subject | Museology | |
dc.subject | Visual Arts and Performing Arts | |
dc.subject | Social Sciences & Humanities | |
dc.subject | Sanat | |
dc.subject | General Arts and Humanities | |
dc.subject | Sosyal ve Beşeri Bilimler | |
dc.subject | Sanat ve Beşeri Bilimler (AHCI) | |
dc.subject | Sanat ve Beşeri Bilimler | |
dc.subject | SANAT | |
dc.title | Motifs with Sacred and Apotropaic Meanings on the Wall Paintings of Cappadocia Region | |
dc.type | Makale | |
dc.relation.journal | ART-SANAT | |
dc.contributor.department | İstanbul Üniversitesi , Edebiyat Fakültesi , Sanat Tarihi | |
dc.identifier.volume | 16 | |
dc.identifier.startpage | 409 | |
dc.identifier.endpage | 435 | |
dc.contributor.firstauthorID | 2716975 | |