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dc.contributor.authorHüseyni, Zeynelabidin
dc.date.accessioned2021-12-10T09:55:59Z
dc.date.available2021-12-10T09:55:59Z
dc.date.issued2021
dc.identifier.citationHüseyni Z., "Hayakal al-Nur (Temples of light) in Poetry Alfya al-Hikmat al-Elayia ala Mazhab al-Eshraghieen", The Journal of "Hekmat e Mo'aser" (Contemporary Wisdom) , cilt.12, sa.1, ss.309-372, 2021
dc.identifier.othervv_1032021
dc.identifier.otherav_1d473fe4-211b-4836-88bf-39924ec62f53
dc.identifier.urihttp://hdl.handle.net/20.500.12627/168814
dc.identifier.urihttps://wisdom.ihcs.ac.ir/article_6820.html?lang=en
dc.identifier.urihttps://doi.org/10.30465/cw.2021.6820
dc.description.abstractExtended abstractIntroductionIn this poem of one thousand couplets (alfīya) which was composed in the eighteenth century, the treatiseThe Temples of Lighthas been poetized. There is a separate commentary on the treatise which shall be introduced in a moment. In the present work,Alfiyahas been edited and published alone.An introductory discussion ofAlfiyaand the commentaryThe author of the treatise is a person named Hassan al-Kurdi who has described himself as the “versifier” (nāẓim) and Suhrawardi as “the author”. In his commentary onThe Temples of Light, he has used the commentary by Jalal al-Din Davani (d. 1502 AD) onThe Temples of Lightand the one by Qutb al-Din Shirazi (d.1311 AD) onThe Philosophy of Illumination. He has also used several philosophical works to supplement his content. He names Suhrawardi as “Abu al-Faraj Muhammad Suhrawardi”. In some of his couplets the author has referred to Quranic verses and used their themes in his poetry.ThisAlfiyais subsumed under pedagogical poetry, where the form of poetry is utilized to facilitate learning and memorization of various types of knowledge. In Arabic, this kind of poetry is more in the metrerajaz, which is why it is calledarjūza. The first couplet ofAlfīyais as follows:Yā ḥayyu yā qayyūm yā dha-l-qūdra/Ayyid wa-thabbitni bi-nūr al-ḥikmaThe treatise is the second book in which one of Suharawardi’s work is poetized. Prior to that, in the fourteenth century, Imad al-Din Arabshahi Yazdi had versified Suharawardi’sThe Lovers’s Companion (Munis al-Ushshaq).Composition’s dateAs it can be inferred from the introduction to the script, Hassan al-Kurdi lived in Damascus, and he had been writing his commentary from the first day of Ramadan until the Day of Arafa (the ninth day of the monthdhi-l-hajjaaccording to the Islamic calendar), i.e. in about one hundred days. At the end of his commentary, he has equated, under theabjadsystem, the date of finishing his work (1170 AH/ 1756 AD) with the word “ghasqī”. The stamp of Ottoman Sultan Selim III’s Royal Library has been put on the margin ofAlfiyaand its commentary.On the authorIn biographical dictionaries, there are different people named Hassan al-Kurdi, but none of them could definitely be said to be the author of the treatise; hence no available information about him.A description of the copiesThe unique copy ofAlfiyanumbered 2486 and the commentary script numbered 2515 are housed in Turkey’s Suleymaniyī Library. There are some lacunas inAlfiya, but checked against the couplets in the commentary, finally the number ofAlfiya’s couplets is exactly 1000, and the couplets are completely diacriticized. The text of the commentary is mixed with verses ofAlfiya, and it has no diacritical marks. From the commentator’s introduction, it can be inferred thatAlfiyaand the commentary were written by the same person. Scripting is innaskhstyle and very legible. There are lacunas and errors in bothAlfiyaand the commentary, which have been corrected on the margins.Research methodBecause of the uniqueness of the script ofAlfia, in editing this treatise the method of editing based upon the original copy was employed. Those verses that have repeated themselves as a result of being mixed with the text of the commentary have been used as the second copy, and the differences are reported in the footnotes.ConclusionPublication of the work can make a contribution to research on Suhrawardi and the history of Islamic philosophy and its impacts.KeywordsAlfiyahIshraqiHayakal al-Nur (Temples of light)SuhrawardiEditionHasan al-Kordi
dc.language.isoeng
dc.subjectSosyal ve Beşeri Bilimler
dc.subjectSocial Sciences & Humanities
dc.subjectFelsefe
dc.subjectPhilosophy
dc.subjectFELSEFE
dc.subjectSanat ve Beşeri Bilimler
dc.subjectSosyal Bilimler (SOC)
dc.subjectSanat ve Beşeri Bilimler (AHCI)
dc.titleHayakal al-Nur (Temples of light) in Poetry Alfya al-Hikmat al-Elayia ala Mazhab al-Eshraghieen
dc.typeMakale
dc.relation.journalThe Journal of "Hekmat e Mo'aser" (Contemporary Wisdom)
dc.contributor.departmentİstanbul Üniversitesi , İlahiyat Fakültesi , Felsefe Ve Din Bilimleri Bölüm
dc.identifier.volume12
dc.identifier.issue1
dc.identifier.startpage309
dc.identifier.endpage372
dc.contributor.firstauthorID2754410


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