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dc.contributor.authorGurlek, Leman
dc.date.accessioned2021-03-02T22:05:34Z
dc.date.available2021-03-02T22:05:34Z
dc.date.issued2017
dc.identifier.citationGurlek L., "Comparative analysis of the social position of the woman in the literary works Eyvah of Mithat Efendi and Lo positivo, of Tamayo y Baus", ANAGNORISIS-REVISTA DE INVESTIGACION TEATRAL, sa.15, ss.467-479, 2017
dc.identifier.otherav_0aa55b51-0418-4bae-836a-a7eff9422e5a
dc.identifier.othervv_1032021
dc.identifier.urihttp://hdl.handle.net/20.500.12627/12888
dc.description.abstractIn the second half of the nineteenth century, dramas appeared in the moderate Spain which turned out to be a point of reference to observe the socio-cultural changes in the Spanish society of the time. The theatre of Spanish high-level comedy was focusing on announcing all sorts of deficiencies of the society: corruption, ambition, and infidelity. The scene was reduced to the familiar environment and represented a part of the surrounding reality. The roles attributed to the female and the role performed by women in the society would not depend neither on the biological distinction nor on the social condition of women.
dc.language.isoeng
dc.subjectTiyatro
dc.subjectSanat
dc.subjectSahne ve Görüntü Sanatları
dc.subjectSosyal ve Beşeri Bilimler
dc.subjectSanat ve Beşeri Bilimler (AHCI)
dc.subjectSanat ve Beşeri Bilimler
dc.subjectTİYATRO
dc.titleComparative analysis of the social position of the woman in the literary works Eyvah of Mithat Efendi and Lo positivo, of Tamayo y Baus
dc.typeMakale
dc.relation.journalANAGNORISIS-REVISTA DE INVESTIGACION TEATRAL
dc.contributor.departmentİstanbul Üniversitesi , ,
dc.identifier.issue15
dc.identifier.startpage467
dc.identifier.endpage479
dc.contributor.firstauthorID243068


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