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<title>Batı Dilleri ve Edebiyatları Bölümü​</title>
<link href="http://hdl.handle.net/20.500.12627/79" rel="alternate"/>
<subtitle/>
<id>http://hdl.handle.net/20.500.12627/79</id>
<updated>2026-05-01T01:21:31Z</updated>
<dc:date>2026-05-01T01:21:31Z</dc:date>
<entry>
<title>Passion for the Real Through Snuff Film in Bret Easton Ellis's American Psycho</title>
<link href="http://hdl.handle.net/20.500.12627/631" rel="alternate"/>
<author>
<name>Sinem Yazıcıoğlu</name>
</author>
<id>http://hdl.handle.net/20.500.12627/631</id>
<updated>2020-06-18T21:10:57Z</updated>
<published>2011-01-01T00:00:00Z</published>
<summary type="text">Passion for the Real Through Snuff Film in Bret Easton Ellis's American Psycho
Sinem Yazıcıoğlu
Alain Badiou defines the twentieth century in terms of "the passion for the real". The aim of this paper is to discuss how the term is materialized through the use of snuff film in Bret Easton Ellis's American Psycho, and how scoff film functions as a narrative apparatus in the novel.
</summary>
<dc:date>2011-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>“This Bloomin’ Country’s A Fraud”: Musical Commodification and Westward Expansion in Sharon Pollock’s Walsh</title>
<link href="http://hdl.handle.net/20.500.12627/479" rel="alternate"/>
<author>
<name>Yazıcıoğlu, Sinem</name>
</author>
<id>http://hdl.handle.net/20.500.12627/479</id>
<updated>2020-04-24T16:05:43Z</updated>
<published>2020-04-01T00:00:00Z</published>
<summary type="text">“This Bloomin’ Country’s A Fraud”: Musical Commodification and Westward Expansion in Sharon Pollock’s Walsh
Yazıcıoğlu, Sinem
Canadian playwright Sharon Pollock’s Walsh (1973) revisits the aftermath of the Battle of Little Big Horn (1876) when Sitting Bull led the Sioux to cross the Canadian border for seeking refuge, befriended Major John Walsh of the North West Mounted Police and yet was forced to surrender to the American forces despite diplomatic exchanges. Since the play roughly coincides with the centennial celebrations in Canada and marks a renewed interest in Canadian drama for national topics, it has been studied in terms of its critical perspective to official historiography and its metadramatic treatment of the mentioned historical events. However, less scholarly attention has been spared to the use of songs in the play. Prioritizing the song form in its musical structure, Walsh integrates the history of westward expansion with the emerging economy and technology of music, resulting in the commodification of music at the turn of the twentieth century.
</summary>
<dc:date>2020-04-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Karanlık Ana Tanrıça’nın Soyundan Gelmek: Edebiyat ve Sanatta Cadılar ve Ölüm [Descent from the Dark Mother Goddess: Witches and Death in Literature and Art]</title>
<link href="http://hdl.handle.net/20.500.12627/428" rel="alternate"/>
<author>
<name>Akgün, Buket</name>
</author>
<id>http://hdl.handle.net/20.500.12627/428</id>
<updated>2020-04-23T21:45:58Z</updated>
<published>2014-01-01T00:00:00Z</published>
<summary type="text">Karanlık Ana Tanrıça’nın Soyundan Gelmek: Edebiyat ve Sanatta Cadılar ve Ölüm [Descent from the Dark Mother Goddess: Witches and Death in Literature and Art]
Akgün, Buket
</summary>
<dc:date>2014-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Fantastik Edebiyatta Arayış [Quest in Fantasy Fiction]</title>
<link href="http://hdl.handle.net/20.500.12627/427" rel="alternate"/>
<author>
<name>Akgün, Buket</name>
</author>
<id>http://hdl.handle.net/20.500.12627/427</id>
<updated>2020-04-23T21:27:48Z</updated>
<published>2013-01-01T00:00:00Z</published>
<summary type="text">Fantastik Edebiyatta Arayış [Quest in Fantasy Fiction]
Akgün, Buket
</summary>
<dc:date>2013-01-01T00:00:00Z</dc:date>
</entry>
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