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Posthuman Female Identities and Cyborg Alices in Orphan Black
(Hacattepe Üniversitesi, 2019)
This article scrutinizes the reception of Lewis Carroll’s Alice’s Adventures in Wonderland (1865) and Through the Looking Glass (1871) in the television series Orphan Black (2013-2017) through the lenses of posthuman and ...
The Helmholtz, the Doctor, the Minotaur, and the Labyrinth
(The Mythopoeic Society, 2016)
Victor Pelevin's The Helmet of Horror and Toby Whithouse's Doctor Who episode "The God Complex" are both retellings of the classical myth of the Minotaur and the labyrinth of Crete. Both retellings, each serving as a ...
Brave New Words: Theatre as Magic in "The Shakespeare Code"
(Rowman & Littlefield, 2014-05-16)
BBC's cult classic TV series Doctor Who's season 3 episode 2 titled "The Shakespeare Code" draws a canonical link from William Shakespeare's plays to fantasy fiction and science fiction to the extent of making the bard ...
Kuralları Değiştirmek ve Gücü Paylaşmak: Vampir Avcısı Buffy’de Avcı Mitinin Yeniden Tanımlanışı [Changing the Rules and Sharing the Power: Redefining the Slayer Myth in Buffy the Vampire Slayer]
(İstanbul Üniversitesi Yayınları, 2012)
Buffy the Vampire Slayer is a seven-season TV series broadcasted between 1997-2003 and produced by Joss Whedon as a sequel to the film by the same title produced in 1992. It tells the adventures of Buffy, a high school ...