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Passion for the Real Through Snuff Film in Bret Easton Ellis's American Psycho
(University of Timişoara, 2011)Alain Badiou defines the twentieth century in terms of "the passion for the real". The aim of this paper is to discuss how the term is materialized through the use of snuff film in Bret Easton Ellis's American Psycho, and ... -
“This Bloomin’ Country’s A Fraud”: Musical Commodification and Westward Expansion in Sharon Pollock’s Walsh
(Pamukkale Üniversitesi, 2020-04)Canadian playwright Sharon Pollock’s Walsh (1973) revisits the aftermath of the Battle of Little Big Horn (1876) when Sitting Bull led the Sioux to cross the Canadian border for seeking refuge, befriended Major John Walsh ... -
Mythology moe-ified: classical witches, warriors, and monsters in Japanese manga
(Routledge Taylor & Francis Group, 2019-01-17) -
Posthuman Female Identities and Cyborg Alices in Orphan Black
(Hacattepe Üniversitesi, 2019)This article scrutinizes the reception of Lewis Carroll’s Alice’s Adventures in Wonderland (1865) and Through the Looking Glass (1871) in the television series Orphan Black (2013-2017) through the lenses of posthuman and ... -
The Helmholtz, the Doctor, the Minotaur, and the Labyrinth
(The Mythopoeic Society, 2016)Victor Pelevin's The Helmet of Horror and Toby Whithouse's Doctor Who episode "The God Complex" are both retellings of the classical myth of the Minotaur and the labyrinth of Crete. Both retellings, each serving as a ... -
Doris Lessing’in "To Room Nineteen" ("19 Numaralı Oda’ya") Öyküsünde Öznel Bireyselliğin Ölümü
(İstanbul Üniversitesi Yayınevi, 2012-03-20)In Doris Lessing’s short story “To Room Nineteen,” published in her collection of tales titled A Man and Two Women (1963), when Susan Rawlings, a middle-aged woman, married with four children, starts questioning her marriage ...
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